It’s difficult to imagine a world where “de-extinction” is so commonplace that the existence of living, breathing dinosaurs no longer carries the “wow factor” anymore. But in the ambiguously futuristic Jurassic World, it’s true: dinosaurs are passé.
Sundance darling Me and Earl and the Dying Girl is every bit as quirky as its title suggests. In short, self-deprecating high school senior Greg (Thomas Mann), who fancies himself an island in a sea of cliques and caricatures, is coerced by his mother into befriending his classmate Rachel (Olivia Cooke) after she is diagnosed with leukemia. It has all the makings of a shlocky, The Fault In Our Stars knock-off. And yet, the sum far exceeds its parts.
Because that’s a mighty title to shoulder… Then again, the only recent Pixar films have been Cars 2, Brave, and Monsters University; charming, but forgettable. But what about Up? Finding Nemo? WALL-E? Monsters Inc.? Does Inside Out trump them all?
I’d argue that yes, it does.
Hey everyone! I’ve decided to start this blog for my musings about movies (and, on occasion, TV). And for my first post, I wanted to talk about that quality that so many of my favorite movies have — visual appeal. I love a director with a unique eye—Sofia Coppola’s languid, low-contrast femininity, Wes Anderson’s sharp right angles, Joe Wright’s lavish period pieces. For me, a film is as much about the visual sensory experience as it is about the plot.
Not quite cinematography, and more than just production design, what makes a film visually/aesthetically stunning is hard to pin down. It’s a combination of color, framing, visual complexity, and a little dose of movie magic. In no particular order, here are five films that most take my breath away. Continue reading “5 Most Aesthetically Pleasing Movies”